Schubert: String Quintet; Late Quartets
Deutsche Grammophon's affordable Trio series revives great recordings from the past, many long unavailable and coveted by collectors. Yet this 2004 triple-disc set of Schubert's late string quartets and the Quintet in C major, performed by the Emerson String Quartet and Mstislav Rostropovich, is identical to the 1999 release in all respects except for packaging and price, and will be superfluous to owners of the first edition.
About the Album
That said, the performances are largely praiseworthy, and the digital sound is still extraordinary. These are fairly extroverted interpretations of the quartets, and the players are at their best in fast movements, where their clarity, impeccable execution, and physical prowess are always apparent. The Emerson is less convincing in the slow movements, and Schubert's deepest expressions seem instead somewhat rarefied and remote. The Quintet presents the greatest test of this ensemble's technical abilities, cohesion, and capacity for emotional depth. The group plays with exciting vigor, resonant sonority, and coherence in the Allegro ma non troppo, Scherzo, and Allegretto, and though its tone is rough at times, this brusqueness mostly works. However, the sublime Adagio and the Scherzo's transcendental Trio fall short of being compelling and profound, and Schubert's most moving music seems to have stymied these musicians, despite their best efforts.
Mstislav Rostropovich, cello
This is a 3-disc set.
... this collaboration was the most memorable of their careers, almost overwhelmed by Rostropovich’s boundless zest for life, his idiosyncratic ideas about when and how to rehearse, and of course, his legendary musicianship.
Schubert: String Quintet; Late Quartets
Schubert: String Quintet; Late Quartets
Schubert: String Quintet; Late Quartets
Deutsche Grammophon's affordable Trio series revives great recordings from the past, many long unavailable and coveted by collectors. Yet this 2004 triple-disc set of Schubert's late string quartets and the Quintet in C major, performed by the Emerson String Quartet and Mstislav Rostropovich, is identical to the 1999 release in all respects except for packaging and price, and will be superfluous to owners of the first edition.
That said, the performances are largely praiseworthy, and the digital sound is still extraordinary. These are fairly extroverted interpretations of the quartets, and the players are at their best in fast movements, where their clarity, impeccable execution, and physical prowess are always apparent. The Emerson is less convincing in the slow movements, and Schubert's deepest expressions seem instead somewhat rarefied and remote. The Quintet presents the greatest test of this ensemble's technical abilities, cohesion, and capacity for emotional depth. The group plays with exciting vigor, resonant sonority, and coherence in the Allegro ma non troppo, Scherzo, and Allegretto, and though its tone is rough at times, this brusqueness mostly works. However, the sublime Adagio and the Scherzo's transcendental Trio fall short of being compelling and profound, and Schubert's most moving music seems to have stymied these musicians, despite their best efforts.
Mstislav Rostropovich, cello
This is a 3-disc set.
Deutsche Grammophon's affordable Trio series revives great recordings from the past, many long unavailable and coveted by collectors. Yet this 2004 triple-disc set of Schubert's late string quartets and the Quintet in C major, performed by the Emerson String Quartet and Mstislav Rostropovich, is identical to the 1999 release in all respects except for packaging and price, and will be superfluous to owners of the first edition.
That said, the performances are largely praiseworthy, and the digital sound is still extraordinary. These are fairly extroverted interpretations of the quartets, and the players are at their best in fast movements, where their clarity, impeccable execution, and physical prowess are always apparent. The Emerson is less convincing in the slow movements, and Schubert's deepest expressions seem instead somewhat rarefied and remote. The Quintet presents the greatest test of this ensemble's technical abilities, cohesion, and capacity for emotional depth. The group plays with exciting vigor, resonant sonority, and coherence in the Allegro ma non troppo, Scherzo, and Allegretto, and though its tone is rough at times, this brusqueness mostly works. However, the sublime Adagio and the Scherzo's transcendental Trio fall short of being compelling and profound, and Schubert's most moving music seems to have stymied these musicians, despite their best efforts.
Mstislav Rostropovich, cello
This is a 3-disc set.
Schubert: String Quintet; Late Quartets
Deutsche Grammophon's affordable Trio series revives great recordings from the past, many long unavailable and coveted by collectors. Yet this 2004 triple-disc set of Schubert's late string quartets and the Quintet in C major, performed by the Emerson String Quartet and Mstislav Rostropovich, is identical to the 1999 release in all respects except for packaging and price, and will be superfluous to owners of the first edition.
That said, the performances are largely praiseworthy, and the digital sound is still extraordinary. These are fairly extroverted interpretations of the quartets, and the players are at their best in fast movements, where their clarity, impeccable execution, and physical prowess are always apparent. The Emerson is less convincing in the slow movements, and Schubert's deepest expressions seem instead somewhat rarefied and remote. The Quintet presents the greatest test of this ensemble's technical abilities, cohesion, and capacity for emotional depth. The group plays with exciting vigor, resonant sonority, and coherence in the Allegro ma non troppo, Scherzo, and Allegretto, and though its tone is rough at times, this brusqueness mostly works. However, the sublime Adagio and the Scherzo's transcendental Trio fall short of being compelling and profound, and Schubert's most moving music seems to have stymied these musicians, despite their best efforts.
Mstislav Rostropovich, cello
This is a 3-disc set.
... this collaboration was the most memorable of their careers, almost overwhelmed by Rostropovich’s boundless zest for life, his idiosyncratic ideas about when and how to rehearse, and of course, his legendary musicianship.
Album Info
Label: Deutsche Grammophon
Catalog Num: DG 459-151-2